Dance

Response Paper Kelly Ferris- “CONSTRAINED EMBRACE” & mark; 7 saltationrs & bruiser; Dancers wore rubor and black and purple and black costumes & crapshit; The cyc changed modify throughout the bound & hoot; The music had no delivery and at that place were no spoken haggle from dancers & copper; thither were no hold & talk through ones hatshit; Dancers go about all directions and used whole stage & fudge; at that place were lots of turns and interaction from the dancers Lauren Soutullo- “WARPED ATTRACTION” • 5 dancers • Dancers wore black transcend and light sinister shorts and silver bracelets • Blue cyc • There were voluptuary barres as props for the dance • Dancers mainly danced on/around the barre • Lots of jerky movements and lifts • medicine had no haggling and there were no spoken words from dancer s This dance was about being attracted to others and not knowing how untold you miss something until you let it go. And when you let it go, you eventually want it back. The dance worked because it put out a clear message of draw play and letting go. The dancers would always be touching and interacting, but when they let go they would always strive to have the other back.

Julie White- “THE melodious theme OF DECLINE” • 2 dancers • Dancers wore red tops and black bottoms • The music would start and persist throughout the dance • Ther e were alarm quantify sounds in the music ! • Lighting came from spot lights from preceding(prenominal) and side lighting • There were no props • Dancers utilized the floor and interacted a lot • Lots of turns Sarah Latza- “THE PRIDE” • 5 dancers • Dancers wore fearful tops and black bottoms • Tribal music • Cyc changed from orange tree to red throughout the dance • There were no props • There was a lot of interaction among the dancers and groups of...If you want to uprise a complete essay, order it on our website: OrderCustomPaper.com

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