Art

While some elements of conceptual and surrealist make them seem quite separate things , such as the surrealis ts use of photo-realism in the warmness of the impossible or other domainly versus the coceptualist s elegant simplicity , LeWitt s Lines from iv Corners to Points on a Grid flows from LeWitt s belief that the conceptual ist dip in the inexplicable (Caldwell , 1981 ) while creating that pushed the boundaries of aesthetics and it tends to cast the praxis as having surrealist influencesConceptual is pially defined by its simplicity . Anyone could create conceptual , at least in the mechanical sense , without genteelness in the disciplines required to produce the realistic elements often seen in surrealist pieces . But , where surrealist portrays its bizarre valet de chambre through juxtaposing the real with the world of dreams desires and the subconscious , the conceptual ist takes the everyday and transforms it into a piece that close mystically provides access to those akin aspects of mind Lines from Four Corners to Points on a Grid was such a work .

mechanical drawing the viewer to see a wall as much than what it seems , turning it into a scum bagvas on which the mystical is visualised , LeWitt evokes the complexity of the human mind and it s ability to work out the visionary onto the pedestrianWhile this work may be from a distinct schooltime than is that of the pure surrealists , LeWitt s definitely dra ws from the fascination with the transcenden! t make can have upon the viewer and it , though it s simple geometry , evokes the same phantasmagoric perspective as does the surrealistSources CitedCaldwell , John Art colloidal solution LeWitt and the Walls of the Wadsworth Antheneum , The wise York Times 27 , September , 1981Sol LeWitt s Lines from Four Corners to Points on a Grid PAGE 2...If you want to get a total essay, order it on our website: OrderCustomPaper.com

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