The Critical Review Of Screening Trauma Film Studies Essay

The Critical Review Of Screening Trauma Film Studies proveCinema and its family relationship with psychology, history and holding is a wide area which can be shaped by visual media and identification of culture. Susannah Radstone( 2000) analyses the movie of Forrest Gump( Robert Zemeckis, US, 1994) with examinations and expressions that stupefy been accompanied with screening trauma in her probe. Also the theoretical and methodological tension over warehousing and inclusive cultural framework shapes these film analyses with however details, especially in cine psychoanalysis and memory/ history. This review will highlight the main points as a summary with some critiques of Radstone s perception of critical thinkers and this academician work s relationship with the comprehension of visual culture and memory.As an aim, this study will try to show cinema s effects on determine the human perception of history also memory s relationship with history in the context of psychology, especially with the movie of Forrest Gump( Robert Zemeckis, US, 1994) .SUMMARY In the study of Screening Trauma Forrest Gump, Film and remembering (Radstone, 2000) Radstone starts by emphasising that Forrest Gump ( Robert Zemeckis, US, 1994) , which contains the last three decades of US history as from 1964 nearly, with the associations between memory and history from the protagonist s unconscious perception in the context of manipulations of technology which is fed by contemporary Western culture. After that memory s connection with cinema adresses cinepsychoanalysis paradoxically due to the fact that memory s visual physical exertion recalls traumatic events childhood seduction or abuse ( Freud and Breuer 1893- 5 1974, cited in Radstone 2000 82) Freud later and famously toss out this seduction theory for an soul of hysteria that connected its symptoms, rather, to unacknowledgeable fantasies of a sexual nature ( Freud 1905 1977, cited in Radstone 2000 82) . Radstone tries to emphasise the interweaving of trauma, fantasy and memory in the psychoanalytic hearing of the letter in set to answer this question What is the relation between memories of traumatic events and physical predispositions which entails dominant fantasy scenarios in the context of the movie of Forrest Gump ? opposite disciplines offer different accessions to memory research within cultural studies and history which are not untouched by psychoanalytic ideas ( Kuhn 1995 King 1997 Vidali 1997, cited in Radstone 2000 85) . For physical exertion in the work of the Birmingham Centre for Contemporary Cultural Studies( 1982, cited in Radstone 2000 84) , analyses of autobiographical memories revealed some(prenominal) how public history shaped identity and, conversely, how marginal memories could overturn accomplished histories.At this point of the Radstones study, these disciplines like history and cultural studies are combined with the psychoanalytic understanding of memory because Rad stone says that if psychoanalytic points of view contri only ife memory s understanding, its insights will be more understandable or assimilable within history and cultural studies. In this manner, Radstone points out that the concept of Afterwardsness ( Laplanche, 1992, cited in Radstone 2000 85) refers to a surgical operation of deferred revision, where experiences, impressions and memory- traces may be revised at a later date to fit in with fresh experiences or with the attainment of a new phase angle of development ( Laplanche and Pontalis 1988 111, cited in Radstone 2000 85). Radstone tries to search for the truth of an occurrence and the experiences of its results in the context of Afterwardness which suggests that determinations of memory s tropes can not reach the truth of the past but it can be only a revision of the past as reported by Radstone. Under these influences, she tries to argue the history s trustworthiness in the context of changeable memory, which can be s haped by past especially repressed effects of experiences, in Forrest Gump( Robert Zemeckis, US, 1994) .Moreover, after these reviews of Forrest Gump, Radstone emphasizes that Burgoyne s Prosthetic Memory/ Prosthetic Nation forms part of a collection addressing the construction of nation in selected US contemporary history films. In the context of Forrest Gump, Burgoyne emphasizes throughout both the dissociation between Gump s memories and that history of violence which is in effect noted but bracketed in the film ( ibid 112, cited in Radstone 2000 96) , and Forrest s incapacity to understand that same history which he is, unbeknownst to himself, shaping Only Gump s ignorance protects him from the scarifications of history and the resulting distortions of character that plague most of the other figures who populate the film ( ibid 109, cited in Radstone 2000 96) . Radstone argues that the film s effect was linked only to Forrest s ignorance, and that the film was therefore tradi ng in a diachronic common sense, or Gump that susceptibility be likened to false memory . She tries to interrogate the movie of Forrest Gump not also with the complex inner world of human being but also with the complexities of historical agency and responsibility.CRITIQUE If Radstone s essay is analysed in a general way before the analysis of Forrest Gump my critique will start with this question How superpower the relationship between memory, history and cinema can be understood in a simple way with the association of the other areas like psychoanalysis and humanities? Because Radstone s explanations are so impetuous and compound. This situation creates the concept of transdisciplinarity which carries risk in order to analyse the movie. Transdisciplinarity produces travelling concept ( Bal , 2002,cited in Radstone 2008 35) concepts that may be attached very quickly to miscellaneous occurrences including reviews, forms and cultures. Concepts such as trauma and memory start to be a bridge between the various disciplines in a complex way. In addition, she elaborates the thinkers points of view exceedingly. Does she try to analyse the movie of Forrest Gump in the context of these disciplines or does she want to explain these disciplines deep points to lector ?After the general critique of the study of Radstone, in order to understand the role of Forrest Gump in US history my review will compare the thoughts of Vivian Sobchack and Robert Burgoyne in the context of Susannah Radstone s study. Radstone uses the study of Prosthetic Memory / bailiwick Memory Forrest Gump ( Burgoyne , 1997) in order to analyse the usage of memory in movies and the effects of this usage on real history, especially with the protagonist s ignorance as Gump. The emergence of mass cultural technologies of memory, moreover, provides vivid experiences of the past that can shape and inform subjectivity. ( Burgoyne, 1997 105)Burgoyne argues that what powerfulness be the media s ef fects on representing history through the cinema. He believes that cinema might shape the history and it might affect people memory like forming false memory ,especially with Gumps ignorance. In this manner Radstone tries to make comparisons between the study of History Happens which was written by Vivian Sobchack ( 1996) and the study of Prosthetic Memory / National Memory Forrest Gump ( Burgoyne, 1997) . Sobchack believes that one of the media s parts which is cinema might create the consciousness about the history through the movies like Forrest Gump with new technologies. Sobchack figures out a sense in which we believe we can go right out and be in history ( Sobchack, 1996 5) . After these points of view, Radstone analyses history s usage in cinema might be likened to false memory or it might remind history to society. So that there is a paradox which comes from different editions. I suppose that the history s usage in cinema can be understood as media s atrocious eff ect or , at the same time, its a freeway to be in history even if it is represented from innocent protagonist s perception as Sobchack supports.In order to analyse the movie of Forrest Gump ( Robert Zemeckis, US, 1994) in the context of Afterwardsness, phantasy- memory psychologically firstly Radstone starts by emphasising Afterwardness, which is stated as the cause of memorys representations of the past by Radstone , is the summary interpretation which reduces the psychoanalytic view of the subject s history to a linear determinism envisaging nothing bot the action of the past upon the present ( Laplanche and Pontalis 1988 111- 12, cited in Radstone 2000 86 ) . In this manner, i support Laplanche and Pontalis ideas that Afterwardsness s relationship with temporality, which contains repressed experiences of the event, creates the issue of losing real history.Secondly, Radstone indicates For Freud, at least, the physical reality revealed in memories was understood to be more clos ely associated with underlying fantasies than with historical reality. ( Radstone, 2000). So that with the theory of primal fantasies, which suggests that inner reality is shaped by fantasies generally, Laplanche and Pontalis points out it is only as a memory that the first mount becomes pathogenic by deferred action ( Laplanche and Pontalis 1988 467- 8, cited in Radstone 2000 87) . Under the influences of the comments of Laplanche and Pontalis about Freud i support Radstone s analyse which, shows lived experience and subjectivity differentiate from historys earlier relationship with objectivity, tries to analyse Forrest Gump in the context of temporality,memory and history.CONCLUSION Visual culture and memory is a comprehensive area which memory s situation can be researched into visual media in the context of cinepsychoanalysis. This study tries to focus how media, which is the part of visual culture, can affect societies perceptions of history objectively and memory subjectiv ely on psychology framework. Societies are able to understand the US history and they can constitute their memory positively or negatively from the movie. In this manner, visual culture and memory are associated that cinema can shape societies perceptions about history which can be understood by the help of this study.